I Fred Koenigsberg
M.A., Annenberg School of Communication, University of Pennsylvania, 1969
J.D., Columbia University School of Law, 1972
Mr. Koenigsberg is Counsel to the American Society of Composers, Authors and Publishers (ASCAP) and advises the Society and its Board of Directors on all matters as its chief legal officer.
Mr. Koenigsberg also represents the Walt Disney Company, BMG Music, Inc., Demart Pro Arte B.V. (owner of all intellectual property rights of Salvador Dalí) and the Alvin Ailey Dance Company among many other clients, advising as to copyright matters.
Mr. Koenigsberg was named as one of New York's Leading Intellectual Property Lawyers in the 2003-2004 edition of Chambers USA: America's Leading Business Lawyers.
active professional organizations
Co-author, "The First Proceeding Before the Copyright Royalty Tribunal: ASCAP and the Public Broadcasters," Communication and the Law, 1979
Co-author, "Performing Rights in Music and Performing Rights Societies" 33 J. of the Copyright Soc. of the USA 332, 1986
Remarks in Symposium: Trade-Related Aspects of Intellectual Property, 22 Vanderbilt J. of Transnational Law 373, 1989
"Copyrights," Kirk-Othmer Concise Encyclopedia of Chemical Terminology, 4th Ed., John Wiley & Sons, Inc., New York, 1999
"Copyrights," Understanding Basic Copyright Law 2002, Practising Law Institute, New York, 2002
"Music, the Internet and the Music Industry," Seventh Annual Institute for Intellectual Property Law, Practising Law Institute, New York, 2001
Co-author, "Licensing Intellectual Property," in M. Moskin (Ed.), Commercial Contracts, Aspen Law & Business, New York, 2002
Co-author, "Eldred v Ashcroft: A U.S. Copyright Case of ‘Supreme' Significance," Asian IP, November 2002
A&HG 4174: Law and the arts I
Permission from professor required. Principal artistic applications of U.S. law in areas drawn from copyright law, unfair competition and trademark law, misappropriation, First Amendment questions, miscellaneous torts including rights of privacy and publicity, defamation, interference with contract, and other problems relating to authenticity of art works.