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Pearl S. Buck (1892-1973) - original surname Sydenstricker; pseudonym John Sedges | |
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One of the most popular American authors of her day, humanitarian, crusader for women's rights, editor of Asia magazine, philanthropist, noted for her novels of life in China. Pearl S. Buck was awarded the Nobel Price for Literature in 1938. The decision of the Swedish Academy stirred controversy, especially among critics who believed that Buck lacked the stature the Nobel Prize was intended to confirm. Nowadays Buck's books are generally considered dated although attempts have been made to rehabilitate her work. "One does not live half a life in Asia without return. When it would be I did not know, nor even where it would be, or to what cause. In our changing world nothing changes more than geography. The friendly country of China, the home of my childhood and youth, is for the time being forbidden country. I refuse to call it enemy country. The people in my memory are too kind and the land too beautiful." (from A Bridge for Passing, 1963) Pearl Buck was born in Hillsboro, West Virginia. She spent her youth in China, in Chinkiang on the Yangtse River. She learned to speak Chinese before she could speak English. Her parents were missionaries. Buck's father, Absalom Sydenstricker, was a humorless, scholarly man who spent years translating the Bible from Greek to Chinese. Her mother, the former Caroline Stulting, had travelled widely in her youth and had a fondness for literature. Buck's life in China was not always pleasant. When she was only a child, the family was forced to flee from the rebel forces of the Boxer Rebellion. After being educated by her mother and by a Chinese tutor, who was a Confucian scholar, Buck was sent to a boarding school in Shanghai (1907-09) at the age of fifteen. She also worked for the Door of Hope, a shelter for Chinese slave girls and prostitutes. Buck continued her education in the United States at Randolp-Macon Women's College in Virginia, where she studied psychology. After graduating in 1914 she returned to China as a teacher for the Presbyterian Board of Missions. Her mother was seriously ill and Buck spent two years taking care of her. She married Dr. John Lossing Buck, an agricultural expert, devoted to his work. When her mother recovered, they settled in a village in the North China. Buck worked as a teacher and interpreter for her husband and travelled through the countryside. During this period China took steps toward liberal reform, especially through the May 4th Movement of 1917 to 1921. In the 1920s the Bucks moved to Nanking, where she taught English and American literature at the university. In 1924 she returned to the United States to seek medical care for he first daughter who was mentally retarded. In 1926 she received her M.A. in literature from Cornell University. The Bucks went back to China in 1927. During the civil war they were evacuated to Japan - Buck never returned to China. In 1935 Buck divorced her first husband and married her publisher and the president of John Day Company, Richard Walsh, with whom she moved to Pennsylvania. As a writer Buck started with the novel EAST WIND: WEST WIND (1930), which received critical recognition. She had earlier published autobiographical writings in magazines and a story titled 'A Chinese Woman Speaks' in the Asia Magazine. Her breakthrough novel, THE GOOD EARTH appeared in 1931. The novel's style, a combination of biblical prose and the Chinese narrative saga, increased the dignity of its characters. The book gained wide audience, and was made into a motion picture. In 1936 Buck was made a member of the National Institute of Arts and Letters. She became in 1938 the the third American to win the Nobel Prize in Literature, following Sinclair Lewis and Eigene O'Neill. In 1951 she was elected to the American Academy of Arts and Letters. During World War II she lectured and wrote on democracy and American attitudes toward Asia. Through her personal experience, Buck had much first-hand knowledge of the relationships between men and women from different cultures. In her books one of the major themes was interracial love. In THE ANGRY WIFE (1949) she wrote about the love of Bettina, a former slave, and Tom, a southerner who fought for the army of the North. In THE HIDDEN FLOWER (1952) a Japanese family is overset when the daughter falls in love with an American soldier. Buck and Walsh were active in humanitarian causes through the East and West Association, which was devoted to mutual understanding between the peoples of Asia and the United States, Welcome House, and The Pearl Buck Foundation. A friend of Eleanor Roosevelt, Margaret Mead, and Paul Robeson, she also advocated the rights of women and racial equality before the civil rights movement. As a consequence of these activities, the F.B.I. kept detailed files on her for years. After the communist revolution in China, Buck became disillusioned about the chances for international cooperation. THE PATRIOT (1939) focused on the emotional development of an university student, whose idealism is crushed by the brutalities of war. Buck gradually shifted her activities to a lifelong concern for children. She coined the word ''Amerasian'' and raised millions of dollars for the adoption and fostering of Amerasian children often abandoned by their American fathers stationed in the Far East. Her family included nine adopted children as well as her biological daughters. THE CHILD WHO NEVER GREW (1950) told a personal story of her own daughter, whose mental development stopped at the age of four. The subject is also dealt with in Buck's famous novel The Good Earth. After Walsh's death, Buck formed a relationship with Ted Harris, a dance instructor 40 years her junior, who took charge of the Pearl S. Buck Foundation. Buck died at the age of eighty in Danby, Vermont, on March 6, 1973. Her manuscripts and papers are at the Pearl S. Buck Birthplace Foundation, Hillsboro, West Virginia and the Lipscomb Library of Randolph-Macon Women's College, Lynchburg, Virginia. "I feel no need for any other faith than my faith in human beings. Like Confucius of old, I am so absorbed in the wonder of earth and the life upon it that I cannot think of heaven and the angels... If there is no other life, then this one has been enough to make it worth being born, myself a human being." (from Buck's religious credo, summoned up in 1939) During her career as an author, spanning forty years, Buck published eighty works, including novels, plays, short story collections, poems, children's books, and biographies. She also wrote five novel under the name John Sedges and translated Lo Guangzhong's (1330-1400) The Water Margin / Men of the Marshes, which appeared in 1933 under the title All Men Are Brothers. The book depicts adventures of outlaws and was banned by Quing rulers. COMMAND THE MORNING (1959) concerned the efforts of the Manhattan Project to develop the atomic bomb and the ethics of dropping it on Japan. THE CHINESE NOVEL (1939) was largely an explanation of her own writing style.
Selected works:
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