I Fred Koenigsberg
Professional Background
Educational Background
M.A., Annenberg School of Communication, University of Pennsylvania, 1969
J.D., Columbia University School of Law, 1972
Scholarly Interests
Selected Publications
professional experiences
biographical information
active professional organizations
American Intellectual Property Law Association, Past President (first copyright lawyer to hold that position)
Volunteer Lawyers for the Arts, Director
Copyright Society of the U.S.A., Former Trustee
Member, Executive Committee, ALAI-USA (International Literary and Artistic Association - US Group)
Columbia University, Adjunct Professor of Law ("Seminar in Law & the Music Industry," Columbia Law School; "Law & the Arts," Graduate Program in Arts Administration)
principal publications
Co-author, "The First Proceeding Before the Copyright Royalty Tribunal: ASCAP and the Public Broadcasters," Communication and the Law, 1979
Co-author, "Performing Rights in Music and Performing Rights Societies" 33 J. of the Copyright Soc. of the USA 332, 1986
Remarks in Symposium: Trade-Related Aspects of Intellectual Property, 22 Vanderbilt J. of Transnational Law 373, 1989
"Copyrights," Kirk-Othmer Concise Encyclopedia of Chemical Terminology, 4th Ed., John Wiley & Sons, Inc., New York, 1999
"Copyrights," Understanding Basic Copyright Law 2002, Practising Law Institute, New York, 2002
"Music, the Internet and the Music Industry," Seventh Annual Institute for Intellectual Property Law, Practising Law Institute, New York, 2001
Co-author, "Licensing Intellectual Property," in M. Moskin (Ed.), Commercial Contracts, Aspen Law & Business, New York, 2002
Co-author, "Eldred v Ashcroft: A U.S. Copyright Case of ‘Supreme' Significance," Asian IP, November 2002
A&HG 4174: Law and the arts I
Permission from program coordinator/director required. Principal artistic applications of U.S. law in areas drawn from copyright law, unfair competition and trademark law, misappropriation, First Amendment questions, miscellaneous torts including rights of privacy and publicity, defamation, interference with contract, and other problems relating to authenticity of art works.




