- Northrup Auditorium, University of Minneapolis
March 1963
Anna Moffo
- Winnipeg Auditorium
October 1963
Teresa Stratas
- Orchestra Hall, Chicago
November 1965
Betty Allen
- Metropolitan Opera Studio
June 1972
Catherine Christensen, Faye Robinson, Rose Taylor, Sidney Johnson and Saverio Barbieri
- Carnegie Hall
September 22, 1982
Lona Culmer
- The Newport Music Festival
Summers 1983, 1984, 1986, and 1987
Nadine Secunde, Glenn Siebert, Melanie Sonnenberg,Jeanne Ommerle, Christopher Trakas, and Susan Roberts
- Weill Recital Hall, New York
April 20, 1987
Elizabeth Kirkpatrick
- Theresa L. Kaufman Conert Hall, New York
Nevember 13, 1990
Dawn Kotoski, Eugenia Zuckerman, and Warren Jones
- The Oprea Theater of St. Louis
December 5, 1994
Christine Brewer and Kirt Pavitt
- Wigmore Hall
October 13, 1996
David Daniels
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- Hundley is a polished craftsman who can spin out very lilting melodies. The blithe and bubbley Jenny Wren is an especially delectable number. I also recall the exquisitely nostalgia of one of the songs Come Ready and See Me.
High Fidelity, June 1972
- Hundley is a natural born melodist, with a keen instinct for poetic quality. His music has mood and sequence, textural substance and, and rhythmic grace. It has a directness that caual listeners might call charming except the word is currently in disgrace.
Chicago's American, June 1964
- I have just spent a wonderful time with Octaves and Sweet Sounds. You are truely a master & I love your work.
John Corigliano, Febuary 1994
- A gifted, traditionalist composer of songs...Hundley's natural bent is for setting words to music in a clearly romantic, custom-fit fashion, as if one were meant for the other..
The Providence Journal: Edwin Safford, 1984
- Richard Hundley....is sort of an American Poulenc, expert at creating characterful melodies and illuminating their corners with flashes of harmonic surprise.
Musical America, May 1991
- There is a warm quality to Mr. Hundley's music.
Evening Express Portland ME, 1971
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