Robert P. Taylor's Musicians: Reflections of Music Making

Bahrain Drummer, and New York African-American Drummer
making old, traditional music anew

Above are two drummers alike in each working to keep an old tradition of drumming alive, by demonstrating its power and beauty in performance. While in Bahrain to speak at a meeting on Globalization and Arab Higher Education in1999, I went on invitation one evening to hear traditional musicians perform. I sat with the ten or so musicians, on the floor, our backs against the wall, ringing the small, ancient room. When the music began, I listened and drew. The left drawing above is one of the musicians I drew that night. He seemed lifeless and very old but each time a piece of music requiring his drum would begin, he would come to life and play spiritedly until it ended. The subject of the drawing on the right, was a woman performing in a small group at Riverside Church one Sunday, and as she was drumming just in front of my my choir seat, I listened and drew her, recalling as I worked, my years in Uganda, and the many drummers and dancers whose performances I enjoyed there.

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