The left and center insets access drawings of Brad done on 28 and 29 January, 1999, while we rehearsed and performed Sergei Prokovief's Alexander Nevsky. Brad's trumpeter posture remained remarkably similar from rehearsal to performance, and from performance to performance. The right drawing was done over a year later, at the 15 April 2000 rehearsal of Mozart's Great Mass in C Minor. Even from the other side, Brad's posture appears very consistently Brad.

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