The 2nd Faculty Biennial brings together artworks from recent Art and Art Education Program faculty working in drawing, painting, printmaking, sculpture, ceramics, photography, video, and new media.
The show is on view from November 2-27 at Macy Art Gallery
Jun Gao
Zoom Quarantine-On the edge between virtual reality and real virtuality

Online meeting platforms, such as Zoom and Google Meet, connect people in a virtual meeting space. "The virtual meetings are synchronization of time and visual expansion of space. Such synchronization creates an illusion of being real, a sense of real-time. The connection happens via the flat screen, microphone, and speakers; the expanded space is visual and solely two dimensional. Such illusional expansion of space is mere virtual. Precisely, Online meeting platforms cannot synchronize time. The meeting experience is neither a form of virtual reality nor a real virtuality. Instead, it swings between the two digitized living experiences. This project reverses the common usage of the Zoom meeting. There is only one subject in the setting, the sole person in the zoom meeting. In this setting, the meeting is happening in one space. Nine cameras surrounded the person for the zoom meeting. The images show even in the same place, each device responds at a slightly different time. In these screenshots, synchronized time became fragmented; the space became deconstructed. A Zoom meeting is a photography shop; its screenshot turns into a novel form of collective photography through the lenses of 9 cameras used for this Zoom meeting.”
Gerard Vezzuso
'Home Alone'

"'Home Alone' is a non camera series of cyanotypes. Created during the Covid crisis I found myself without the school studios and equipment for a period longer than I hoped. The subjects were objects from my apartment. The objects are being scanned while I'm holding them to give an added organic affect. After I get the right image it is moved into photoshop where I create a 5x7 negative. The negative is then exposed to 4 UV Reptile light bulbs which I rigged up in my closet using clip lamps.The exposures are generally 50 minutes then washed and dried. I use pre coated cyanotype paper often available in colors."
Aimee Ehrman
Glazescape #1
"I often find myself drawn to textures and surfaces in the environment around me. I love to touch the walls of buildings, get close and see the layers of lichen on the trees, and examine how these surfaces feel under my fingers. I think about how I can create layers of glazes that reflect the feelings that embody my experiences with my environment. My series of wall works, within which this piece resides, are representative of this examination."
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